Innovation: New Texts on Art in the Image 

Innovation Technique: Digital Print / Size Unicat/Original Artwork with Dieter Liedtke's DNA in the red colour.  

Innovation of the series: art key for any form of art: Life + expansion of consciousness = art or old  Information + new information = evolution 

Series name: Art Formula  

Working years of the series from: 1986 -  

Year of work: 1993 

Signature: Liedtke 

Material: Canvas on stretcher frame 

Dimensions: 50 cm x 195 cm 

Price 1.1 Million Euros. €

More about the art formula  

The art formula 

The millennia-long search for a formula for all the arts was rewarded in 1988. In 1990, the formula for creativity and art was published in the paperback book; "Der Schlüssel zur Kunst" by Dieter Liedtke. 

Life + expansion of consciousness=art 

An art formula that explains art to the population and makes people more art-aware and creative, thus empowering them and democratising all the arts, can be classified in art history as pop art (in pop art, the popular symbols of the people are depicted and the person is elevated as the star). The art formula, in its sheer simplicity, explains all the arts through their innovations and thus makes every art Pop Art as well as every human being a creator.  

The art formula is the emperor of pop art,  

who democratises all the arts and at the same time disempowers himself. 

The law of art is:  

The dissolution of the boundaries of the arts and art history or consciousness through art.  

The Law of Art and the Development of Societies 

The public application of the law of art brings about the abolition of the limits of creativity, intelligence and health, as well as prospering wealth in societies. Art is made more efficient by Hegel's dialectic with innovation-thesis, -antithesis and  

The synthesis with the formula in all art is clear and presents the work of art as a process that has become knowable, the work on a new level of innovation.  

More- 

---The history of the art formula in society 

 The history of the art formula in society  

 Dieter Walter Liedtke 2020 

As an inventor and newcomer to the arts, in the 1960s I was repeatedly confronted with questions that could not be answered satisfactorily by the art and culture industry. As a young inventor, I wanted scientifically evident-based clarity, because millions of cultural workers felt the same way I did. There were simply no logical answers. 

The key questions were: 

What is art and does it have a meaning? 

Are works of art just the king's new clothes, image and marketing or is there something behind the clothes that is to be hidden from the population? If everything is declared art, the contents become blurred and the clothes continue to take shape through the mental fog.  

Has it not yet occurred to anyone that the effort of obfuscation and sensory deprivation that is being practised for modern art is an alarm signal that shows that there must be more behind art, especially since dictators and their state propaganda departments are influencing populations with statements similar to those of today's art protagonists, only intensified with gloating and discrediting of modern art, up to and including the exclusion and punishment of the artists. Is art only used to speculate and make money? But then the question of the meaning of art remains open, why this tabooing effort by the state and art historians? What is wrong with it? It doesn't make sense to have such a high propaganda effort by art historians and art magazines or by the state, even in school lessons, if there is nothing to discover behind art.  

Is the sensory deprivation of art nourishing an egoistic class consciousness with conceit and exclusions, or is it only clouding the real greatness of the human spirit, the art observer. Now that the religions are less and less able to fulfil the task of subjecting their followers to God's word and ecclesiastical dogmas through the results of scientific research, is the educated bourgeoisie to be educated into disoriented, helpless believers in the state with the help of art? Can art historians become the new priests to whom the word must be believed unconditionally, otherwise the apostate and those who are not conformed to and subjected to its spirit will be excluded from the community of art and educated citizens. 1.) 

Is it all just theory? 

Or does art have a secret, scientifically and empirically comprehensible purpose for the development of our society, or is it just that school systems (introduced at the beginning of the industrial age) are outdated? Perhaps both are true?  

If one can prove the existence of an artificial formula, everything speaks for the fact that we are epigenetically manipulated. 

I wanted to pursue these questions with the search for an art formula also based on new neurobiological research results. 

My search for a formula for all the arts was rewarded in 1979, but it was not until 1988 that I had finally implemented the art formula as a graphic symbol for human creations, (which corresponded to Joseph Beuys' request to me in 1984 to explain to everyone all human creations, i.e. art across all epochs, in a very simple, vivid and easily comprehensible way). In the book "Der Schlüssel zur Kunst - Kunsträtsel gelöst" (The Key to Art - Art Riddles Solved), I presented the art formula for subjective and objective art to the public in Germany in 1990, and in 2019 I developed an art evaluation system with an art certificate for works of art called "Artinvest" that clearly separates art from decoration by the innovative content and the level of innovation in the work.  

The formula for art and evolution 2.) 

Life + expansion of consciousness = art 

The law of art is:  

"The dissolution of the be-limits of the arts and art history or consciousness through art. “  

The Law of Art and the Development of Societies 

"The public application of the law of art brings about the abolition of the limits of creativity, intelligence and health, as well as prospering societies." 

"The higher level of art becomes evident through Hegel's dialectic with thesis, antithesis and synthesis applied to art in every work of art and thus itself constitutes a work of art as a process that has become visible in the picture."  

To date, the formula has not been published in Germany or introduced into school curricula. 

Blocking the creativity of the population by not introducing the art formula and allowing the IQ to be reduced by information that spreads fear 3.) hinders democracy, evolution and the spiritual development as well as the prosperity of a people. The politicians act consciously or unconsciously by omitting to help as well as aiding and abetting not only against the Basic Law or the constitution of their country, but also against the "rules according to higher law", which ultimately stands above the legislator and led to the conviction of the Nazi criminals in Nuremberg. 

Politicians and individual media could today be held accountable by the published research results in neurobiology and epigenetics for covert and active aiding and abetting slavery, exploitation, deprivation of liberty and bodily harm to the brain and violation of the "rules according to higher law",  

1. when media information that makes people ill by generating fear and shreds IQ is disseminated without warning labelling (labelling and warning as with tobacco products),

1. If the repair of neuronal networking through art recognition and a restoration of people's health, creativity and increase in IQ is prevented by the art formula. 

The connection that emerges: 

IQ lowering through negative information  

plus shutting down gene repair and creativity transmission through the art formula creates societies with creativity sealed off in perpetual fear. 

Politicians and the media are amazed,  

that in other countries, such as France and the USA, populism and racism, religions and the separation from other people are also gaining ground with the lowering of IQs.  

Time headlines on 28 March 2019 and wonders:  

"We used to be smarter. For decades, IQ rose in the industrialised nations, including in Germany. For some years now it has been falling. WHY"  

The reverse Flynn effect occurred. James Flynn discovered in the 20th century that IQ in industrialised nations rises every year. Apparently, Germany is epigenetically blocked from recognising the art formula. As the IQ editorial by Nataly Beuel, Nike Heinen and Tanja Stelzer in the weekly newspaper "Die Zeit" clearly demonstrates. Despite all the research results from epigenetics, the art formula and its positive effects are still not reported on in Germany. In Spain - at least regionally - the formula was reported on in detail as early as 1992 and its principle was explained by a newspaper in 52 weekly articles under the title "Art Puzzle Solved".  

First of all, I had to understand why - without a conspiracy theory and without conspiracies - we are running up against a dark wall in spiritual development, not only in Germany but also in other countries. As early as 1910, i is the best gift for any occasion which can be easily solved with the online tutorial.

n his book "The Spiritual in Art", Kandinsky called this ethical evolutionary barrier against prosperity and against positive development for all people "the black  

hand".  

Now that Christmas is around the corner I just want to remind you that the a Rubik's Cube -

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